After coming across author Mickey Hess’s Big Wheel at the Cracker Factory [BUY]and then catching him reading at Powell’s Books, we were fortunate enough to catch up with him for a few minutes over the phone to talk writing, hip-hop and other things.
He was a pleasure to talk to and I feel as though, despite being off my game for a variety of reasons, I could’ve kept him on the phone all night. If you have the chance you can look up some of his writings on McSweeney’s or The2ndhand.
Luckily for you, dear readers, we’ve been allowed to include one of his stories, Ghost Walk (PDF), to download and take with you, since Hess is a huge proponent of making his writing available to all through a variety of free methods.
But for real, you should get to know this writer since he’s that good. Not in a show-offy kind of way, but in an easy-going enjoyable one. He switches effortlessly between the funny and the serious, the absurd and the sincere.
Hi Mickey, how’s it going? Are you still in Portland?
No, I flew back to Philadelphia after the reading.
So it was a quick visit then?
Usually the readings are a a hit and run and I got to spend the morning in Portland and visit Powell’s, which is what you’re supposed to do.
I know some authors love readings, like Chuck Palahniuk turns them into a big spectacle, and others loathe them. What’s your take, especially because you’re still making a name for yourself and at your Portland reading there was a small crowd, but more than I thought would be there.
I think the readings are fun, its tough to get feedback when you write. You cant sit down and watch someone read your book, that would be weird. At a reading you can see people in the crowd and see them laugh at parts and react to things and thats great because it’s just another way to tell what works and what doesn’t in a book or story.
Is it difficult having yourself be a central character in your writing? You’re very honest in both the good and the negative in terms of your portrayal of “Mickey Hess.” Is there a tendency to alter things and make yourself come off better.
Surprisingly its easy and the trick is not changing anything when you look back at it. You always have your own perspective and then you go to revise it two or three months down the road you think I dont believe any of this anymore and you want to tweak everything. You lose that immediacy to the events that happened. Once its down you have to question is it poorly written or am I embarrassed by it.
You’re smarter six-months later or you think differently about things that happened. It’s a better perspective, so of course there’s a tendency to be embarrassed by things. I work really hard to not change things I’m embarrassed by only if it’s poorly written.
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