While one hopes that these talented directors can use their tightly crafted shorts as calling cards for bigger productions, it would be nice if this signaled a potential renaissance for the notion of horror anthologies as well. Audiences have a hunger for short films that is rarely addressed: Witness the crowds that show up for collections of Oscar-nominated shorts every winter. Anthologies, while notoriously uneven, can also be audience-friendly, given that viewers don’t have to commit to two hours of something they decided 10 minutes in that they weren’t going to like. Carrying out sustained dread for 90 minutes is a task that few directors are up to, but short horror needs only a simple central idea, a few minutes of tension buildup, good scares to follow, and a clever resolution. Get in, get scary, and get out.
Agree with 100% of his argument that the horror genre translates particularly well to anthology movies.